Death in Venice
The Ballet of the Croatian National Theater in Zagreb, which last year celebrated the 140th anniversary of its founding, is the country’s oldest and largest ballet company. Led by Leonard Jakovina, their diverse repertoire ranges from classical and neoclassical choreographies to contemporary ballets. For this appearance, they are bringing their production Death in Venice to Budapest.
"The Art is life of a higher level of awareness. The Art can make one profoundly happy, yet it can devour one with even greater swiftness. The Art cuts a vestige of imaginary and spiritual adventures on a face of its servant, and with time, it creates – even in a convent-like solitude of external existence – tenderness, refinement, a fretful weariness and curiosity, yet at the same time, it finds extremely difficult to provide a life full of dissolute lust and pleasure." (Thomas Mann)
Thomas Mann said that we artists cannot tread the path of Beauty without Eros keeping us company and appointing himself as our guide. One must die to Life in order to become an utter Creator. These thoughts made a powerful impact on my personal decision to take this novel and interpret it through my own choreographic manuscript in the field of contemporary theatre. Detached from everything I have ever created in my previous ballets up to now, I felt that this piece takes a new, significant space in my heart. The novel had fascinated me and having read it several times, I have decided to follow my intuition. The reflections of what must be said through this masterpiece that was created at the beginning of the 20th century urged me on an analytical development of the theme and the creation of a multiphasic choreographic work that included the exploration of the musical and visual concepts, from the birth of the initial idea until the synthesis of all the components into a ballet work. Inspired by the psychology of the artist and human relationships in contemporary life, I made a decision to put the performance into the time that represents us today. Supporting my research on the living artistic experiences of both geniuses Thomas Mann and Gustav Mahler, I have challenged myself to find the key to discover unusual aspects of the physical and the meta-physical. Only dance art can express these in such a sensitive, essential and meaningful form. The thoughts that are penetrating Gustav’s mind and his yearning, vulnerable yet powerful inner eroticism are producing unexpected emotions that create his movements and the atmosphere of the performance. Love is a phenomenon that breathes life into a Dead body. In life, we cannot control Passion and Death and as Mann would say, motus Animi continuus – a state in which one is unable to suppress the thrill of creation. Through emotions, I have turned my vision with passion and great diligence into movement of the lovely dancers whose souls have been pulsating with inspirational magnetism from the very beginning of this unusual movie-like ballet. I feel blessed to be able to share this Unique experience embodied by the generation of charismatic dancers of the Ballet of the Croatian National Theatre in Zagreb and I have the privilege to create with them the full-blooded Beauty that stands against the dehumanizing reality of contemporary world. As artists, we are co-creators who are discovering, through our talents, a deep connection with the Universe of Art, Beauty, Love, Inspiration and Humanity, where each of us will leave a signature in the moment of Creation. — VALENTINA TURCU
General cast
- Gustav von Aschenbach
- Takuya Sumitomo
- Angel of Death
- Guilherme Gameiro Alves
- Tadzio
- Andrea Schifano
- Aschenbach's wife
- Edina Pličanić
- Lovers
- Kornél Pálinkó / Rieka Suzuki
- Bella
- Natalia Kosovac
- Tadzio's mother
- Milka Hribar Bartolović
- Tadzio's sisters
- Saya Ikegami / Mutsumi Matsuhisa / Asuka Maruo
- Hotel manager
- Drew Jackson
- Russian woman
- Iva Vitić Gameiro
- The Russian
- George Stanciu
- The American
- Simon Yoshida
- French woman
- Miruna Miciu
- The Frenchman
- Matheo Bourreau
- English woman
- Cristiana Rotolo
- The Englishman
- Adam Harris
- German woman
- Atina Tanović
- The German
- Bálint Rauscher
Credits
- Choreography, direction, dramaturgy and music concept
- Valentina Turcu
- Set designer
- Marko Japelj
- Costume designer
- Alan Hranitelj
- Lighting designer
- Aleksandar Čavlek
- Video projections
- Matjaž Mrak
- Assistant choreographer
- Anton Bogov
- Assistant costume designer
- Petra Pavičić
- Ballet master
- Milka Hribar Bartolović / Mihaela Devald
- Head of music staff
- Ljudmila Šumarova
- Stage Manager
- Snježana Marasović
- Premiere
- June 5, 2018